Kelly Lovelady, conductor

Originally posted at Meet the Artist:

Who or what inspired you to take up conducting and pursue a career in music?
Conducting felt inevitable for me as a teenager: a natural evolution despite my oblivion at the time to everything it would eventually entail! The realisation was unceremonious- not really a dream or desire but a moment of clarity. I was lucky to find my two conducting teachers in the years that followed and both continue to mentor me almost 18 years on.

Who or what have been the most important influences on your musical life and career?
I think my tastes and philosophies are largely the result of producing my own work. When you find yourself responsible for every detail you start to reconsider the possibilities. If your self and sanity are malnourished by the freelance world you create your own opportunities to fill the…

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Confab

Originally posted at Kelly Lovelady:

I will be doing a post-concert Q&A this Sunday in the Hackney Showroom Bar to reflect and share observations of joy, dissent and using music to champion humanity. All questions and ideas welcome: chat will follow Ruthless Jabiru’s 19:00 performance and will be chaired by Chris Garrard from Art Not Oil.
Details: hackneyshowroom.com/fuel

Michael Cryne: ‘Slipstream’ World Premiere

Originally posted at Composers Edition:

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London-based all-Australian chamber orchestra Ruthless Jabiru will perform Michael Cryne‘s ‘Slipstream’ in its world premiere this Sunday, 9 April 2017, as part of the closing performance of Joy & Dissent: a new festival of cultural Activism at Hackney Showroom. The programme, curated and conducted by the orchestra’s artistic director Kelly Lovelady, aims to call for London’s cultural organisations to go fossil funds free, and point out at the topic of fuel dependency and its ramifications for the soul of our world.

The orchestra’s programmes are devised around existing and commissioned repertoire by today’s composers with a view to promoting sustainability and ethical dialogue, and are dedicated to humanitarian stories. Other works include Julia Wolfe’s Fuel, Cat Hope’s…

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Hackney Showroom festival of cultural activism asks: ‘Can protest be joyful?’

Originally posted at Hackney Gazette:

image.jpgCo-director of Hackney Showroom, Sam Curtis Lindsay, talks to Zoe Paskett about their second anniversary and a festival celebrating joyful protest.

So far, 2017 has been a year of protest: against Donald Trump, abortion bans, controversial speakers at universities, violence towards women, immigration – whichever side you fall on, the public are more engaged than they have been in recent years.

While some protests have been violent and some peaceful, many people are now trying to figure out how they would like to utilise their freshly galvanised political passion. “Can joy or beauty be ways of protesting rather than everything being painful or angry all the time?”…

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On International Women’s Day – Meet Ruthless Jabiru

Originally posted at Artisan Accounts:

As part of our endeavor to support International Women’s Day we begged some of our most inspiring female clients to contribute a blog, here Kelly Lovelady from the inimitable Ruthless Jabiru explores change and power.

It is a truth universally acknowledged that ye olde worlde of conducting is overwhelmingly male. The pride and prejudice of the orchestral podium is, to collate the many confounded observations I’ve collected over the years, a beaming anomaly even to those with little or no concert-going experience.

Gender biases in so-called “classical” music are ultimately borne of a performance ritual which reveres and respects its own history so deeply that it continues to perpetuate the quirks of concert culture as it stood in its infancy almost 200 years ago…

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Ruthless Jabiru to feature at Joy & Dissent

Featured

Ruthless Jabiru will give the closing performance of Joy & Dissent: a new festival of cultural Activism at Hackney Showroom this Spring.
Tickets: hackneyshowroom.com/fuel
Press release: relevantnow.com/stories/sneakbee/XEJ3NCF0klY

Julia Wolfe Fuel
Michael Cryne Slipstream (World premiere)
Cat Hope Pure
Gloria Coates Lamentation: Homage to Supply Belcher (1750-1836) from Symphony No.14 “Symphony in Microtones”
Osvaldo Golijov Last Round

Artwashing is the greater failure

It is with regret that we have been forced to withdraw our performance Fuel from Tempting Failure 2016 due to a late change in circumstances in the funding of the project. This development was unrelated to our commitment to fossil-free culture through this programme, and has no bearing whatsoever on the heroic originality of the festival nor the strength and support of our Partners.

It is exactly these sorts of disappointments in the unstable financing of the arts sector which tempt us to push the ethics of our process down the agenda, but even in the context of public funding cuts it is crucial for arts organisations to decide independently and openly: what funding are we prepared to accept? What should we refuse? What are we happy for our funding to do in the world?

It is our responsibility as artists to examine the humanity and the democracy of our time, and to mirror in ourselves the truth and justice we seek through our creative work. Thanks to everyone for your interest in this project and in Ruthless Jabiru’s continuing vision.

Michael Cryne: ‘Slipstream’ world premiere

Originally posted at Composers Edition:

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Monday, July 25, 2016 will see the world premiere of Michael Cryne‘s ‘Slipstream’ performed by the London chamber orchestra Ruthless Jabiru as part of the Tempting Failure festival in London.

‘Slipstream’ was written for all-Australian string orchestra Ruthless Jabiru as part of Sound and Music’s Portfolio Scheme. The piece is based on the sculpture created by Richard Wilson for Heathrow Airport in 2014. ‘Slipstream’ is inspired by the exhilarating potential of flight, coupled with the physical aesthetics of aircraft. Constructed in aluminium, the piece aimed to solidify the twisting velocity of a stunt plane manoeuvring through the volume of the new terminal. I aimed to capture this dynamism musically; energetic lines twist and turn with a constant sense of energy…

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