Meet the Artist: Camille Maalawy, mezzo-soprano

Originally posted at Meet the Artist:

Template 258x173.jpgWho or what inspired you to pursue a career in music?

As a child I was always singing, and took part in music festivals and amateur dramatics. In my teens, I started to pursue singing more seriously, but had thought I would read English at university. It was whilst studying for GCSE Music that my teacher said that I should really think about doing a degree in Music. Until then I hadn’t really even considered it as a possibility.

Who or what have been the most important influences on your musical life and career?

I am absolutely indebted to all of my teachers, all of whom have invested a huge amount in Continue reading

Kelly Lovelady: On staging Bushra El-Turk’s Silk Moth this August for Grimeborn

Originally posted at Composers Edition:

Template 258x173.jpgRuthless Jabiru presents Bushra El-Turk’s hard-hitting opera Silk Moth alongside works by Liza Lim and Cassandra Miller at the Arcola Theatre in London’s East End, August 9-11. Composers Edition’s Dan Goren caught up with the pioneering musical director Kelly Lovelady to find out more.

Dan Goren: Tell me how you’ve come to be producing this first fully-staged production of Silk Moth and what drew you to it.

Kelly Lovelady: I had been wanting to programme something of Bushra’s for years so when I had the chance to dream up some new programme ideas I went through her works list with a fine comb. The instrumentation of Silk Moth for a single vocalist and mixed Continue reading

Silk Moth and honour

Originally posted at eleanorknight2016 :

Template 258x173 copy.jpg“What would you say to your dead wife or daughter if she were still here?”

“I would say that I acted out of love, and I know that she would understand.”

This  exchange appears in Witold Szablowski’s collection of reportage from Turkey, The Assassin from Apricot City and simply and devastatingly illustrates the complexity of ‘honour’.

Honour, as I understand it as I sit here tapping away in East Sussex, is about acting with ethical integrity, with an awareness of a higher purpose, of doing the best one can as a human being.

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Program note: The Drowners

Originally posted at andrewford.net.au :

Andrew Ford (b. 1957)
The Drowners (2009–15)
songs for baritone, percussion, harmonium, celesta, harp and strings

This sequence of songs began as a commission from the West Australian Symphony Orchestra for a single song for the baritone Teddy Tahu Rhodes. ‘A Dream of Drowning’ was first performed by those forces, conducted by Paul Daniel, on 12 March 2010, but it seemed incomplete, as though it was only the start of something. So I added five more songs to make the present work.

The Drowners was composed for Morgan Pearse to sing with two orchestras – Ruthless Jabiru in London, under their conductor Kelly Lovelady, and Camerata in Brisbane, under Brendan Joyce. The work was funded by a project fellowship from the Australia Council for Continue reading

The Drowners

Originally posted at Resonate Magazine :

Template 258x173Andrew Ford writes about his work The Drowners for baritone voice and chamber orchestra, about to be premiered in London on 10 March. The same concert by the UK-based Ruthless Jabiru includes a premiere of a work for strings, percussion and tape by Rosalind Page.

In my sequence of songs, The Drowners, a surfer struggles against the rip (or dreams he does); a drowning man is dragged back from the cold North Sea by his wife, as his laughing child watches from the beach; a toddler drowns in a well in the 19th-century colony of Augusta, Western Australia; grieving parents are visited by the wraiths of their drowned children; a man, out of his depth all his life, drowns when he swims ‘too far out’; the King of Naples is believed to lie at the bottom of the sea, his eyes having turned to pearls. You might be forgiven for thinking I have an obsession with drowning.
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